View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome, 1750/59.Internal view of the Atrium of the Portico of Octavia, from Views of Rome, 1750/59.

Maria Maggiore with its two flanking wings, from Views of Rome, 1749 Maria Maggiore, from Views of Rome, 1750/59 View of the Rear Entrance of the Basilica of S.

Croce in Gerusalemme, from Views of Rome, 1750/59

View of the Façade of the Basilica of S.

View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome, 1750/59.

View of the Palazzo di Montecitorio, from Views of Rome, 1750/59.

The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. DeWolf and Joseph Brooks Fair Collections Reference Number 1978.434 IIIF Manifest Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Military trophies, obelisks, heraldic symbols, cypresses and the. About this artwork Status Currently Off View Department Prints and Drawings Artist Giovanni Battista Piranesi Title View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome Place Italy (Artist's nationality:) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. The piazza was designed by Giovanni Battista Piranesi, the famous copper engraver, in 1765.

Piazza piranesi rome